Wednesday Poetry: Affinity, Fidget, Mention

Welcome to my regular Wednesday poetry corner, brought to you by Three Word Wednesday and One Shot Wednesday.

Today's words are affinity, fidget, mention.

With strong drink I have an affinity;
To mention this strange consanguinity
Might cause you to fidget,
For I am a midget
One shot and I'm off to infinity!

Heh, heh... "one shot"... did you see that, Leslie? "One shot" - get it? Oh, I crack myself up sometimes.

Listen to me read it (it's only 12 seconds, and it's funny):

Listen!

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Joe Konrath's 7 rules for e.book success

Just as a little reminder to myself, I'm going to reprint Joe Konrath's 7 Rules for e.book success.

1. Write a damn good book.

2. Make sure it has professional cover art.

3. Keep the price under $4.

4. Make sure the formatting is flawless.

5. Write a good product description.

6. Upload to Kindle, Nook, and Smashwords.

7. Repeat. Over and over, until the world can no longer ignore your work.


Right. Now I can refer back to this.

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Full disclosure - I got these tickets because I talk too much

I'm going to see a sneak preview of "The Adjustment Bureau" tonight, a movie based on a Philip K. Dick story. I'm going because I was offered the tickets. Here's the full disclosure part.

I get movie tickets just for talking too much on Twitter? Damn, the 21st century is a strange place.

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London calling - pursuing overseas readers, agents and publishers

I get visitors to this blog from all over the world. The top countries are U.S., U.K., Canada, Australia and India. However, the top cities are where things get interesting.

Click to enlarge. The list of cities represents the top 10 for the last year.


I've talked about this before, speculating on why Landless appeals to Londoners the way it does. The margin between London and New York is huge, much more so than between cities farther down the list. Granted, I'm probably overthinking this, looking for definable reasons where it's probably due to a simple explanation, like fluke, happenstance or benevolent extraterrestrials.

Still, what does this mean for future endeavors? Or, for my London friends, endeavours? I've always assumed that when I have a book to get published, it would be here in the U.S., with exploration into other countries later on. However, is that a reasonable thing to think, or is that hopelessly old school?

Assuming for the moment that I don't have every major house falling over themselves, throwing six-figure advances at me to secure the rights to my first novel (crazy talk, I know, but bear with me), a large part of that freshman effort's distribution is going to be as an e.book. If I do an indie pub, it'll be almost entirely e.book, with paperback only as a POD option.

Since readers all over the world can download an e.book, or have it printed locally, is there any difference between London, New York and Sydney? It's not like I'm going to have a publisher paying the tab for a big overseas book tour, or even a domestic one. Signings and readings locally in the Philadelphia area would be part of local promotion, but New York is only two hours away, and I'd have to go there on my own dime.

Is it crazy to consider London agents and publishers as fair game? Why would they be any more remote or distant than someone in New York, L.A., Chicago or Cleveland? Every interaction would be via e.mail, telephone or post. I've worked with a far-flung editor and publisher that way, coordinating my writing with that of co-authors in multiple parts of the world. It all worked out fine, even with the challenges of the various timezones.

Anyone have any experience they'd like to share on long-distance writer-agent-publisher interactions?

p.s. Philadelphia isn't in the top 10, nor is it in the top 25. No man is a hero in his hometown.

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SpokenSunday, part 2: The Chosen One - what's the job?

Since someone asked, and since I have a ready answer, I recorded a follow-up to today's SpokenSunday. To wit, what is the job the Chosen One has been chosen for?

Listen!

What do you think?

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SpokenSunday: The Chosen One

My reading for today is "The Chosen One". Enjoy. (and also read the follow-up post about what the Chosen One's been chosen for).

Listen!

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That whiny blog post? Forget it.

I was going to post something whiny today about how "Brazilian Whacks" flopped, and how nobody understood what I was trying to do with that FridayFlash, and how I suck, and how I'm just a no-talent fraud, and boo hoo hoo.

Well, bullshit. All that self-indulgent whining not only is inaccurate, it misses the point. Some people got it, many people didn't. Some people liked it, many people didn't. Even if nobody found anything in it to like, I wrote it for a purpose. Unlike the straight L.O.C.K. approach I've been following in recent months, this was an experiment in projecting an atmosphere. That worked to my satisfaction, at least in some important ways. If it hadn't worked at all, I wouldn't have posted it.

Part of the problem in writing the way I do is that some of the stories are horror tales of human sacrifice, others are lit fic, i.e. explorations and projections of emotion that look a lot like people sitting around and not much happening.

Still, I've come to the conclusion that lit fic isn't too well suited for flash. In something like "House of Mirth", thousands and thousands of words are devoted to people sitting around considering happiness, satisfaction and the lack thereof. However, there's also seductions, blackmail, bankruptcy and suicide. It takes a while to fit all those pieces together, more than a flash allows.

An experiment is only a failure if you don't learn anything from it. So, screw it, I'm calling "Brazilian Whacks" a success.

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new Tony Noland fanfic

There was a certain inevitable vibe to this, wasn't there? The real question is, which came first, my bloggery bloviation, or the Tony Noland fanfic? There has already been a Tony Noland themed poem, so a #FridayFlash was a natural extension.

I call dibs on the oratorio.

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#FridayFlash: Brazilian Whacks

"Brazilian Whacks"

by Tony Noland

They had to park in a garage a few blocks away, but better a distant lot than a nearby curb. Together, they walked to the club, laughing and bubbling, but with the purposeful stride of rich people in a poor neighborhood. The women moved to the inside of the cobblestone sidewalk, away from the street; just as automatically, the men moved to the outside, with Henrique leading, Joao-Carlos trailing. All of them fell into step and position without conscious thought. In a bad part of town, it was how you walked.

And this was a bad part of Rio... not so bad as it used to be, but still bad. During the daytime, you could give one of the street boys a few Reais to "watch" the car, but that was chancy. You had to give them something, or your windshield would be smashed before you'd gone ten meters. If you gave them too little, they might not keep the other boys from throwing the rocks. If you gave them too much, they might take the money and run away entirely, in which case the other boys would really wreck the car, just for spite.

Two Reais was enough, so long as you were polite to the grubby little bastards. Trying to scare them or slap them away was like shouting at the tide on the beach. If you were polite, that left the impression that when you paid again on returning to the car, you might be generous. It was worth it to leave a decent impression with the street boys. They were like dogs, with a pack memory. The individual boys came and went, but when you returned to this street again, the pack would remember you. Even if you drove a different car, they would remember the man who paid willingly and well, and the man who kicked and insulted.

Three blocks on, they came to the Academia da Cachaca, its canopy of lights and swell of music like a grandmother with open arms. The women called out to each other, the men smiled and licked their lips. As they entered, under cover of the press of patrons, bodies brushed and lingered, hands moving lightly and quickly with the first flirtations of the evening.

Fried plantain and cassava, grilled beef, smoked pork, crab dumplings, all washed down with sweet-acid caipirinhos made with top shelf cachacas, although Maria Jose, that stuck-up bitch, insisted on caipirivodkas. Not all the teasing from the women could shake her resolve, and although the men roundly declared her to be a traitor and no better than a witless tourist, they each wanted her all the more. The women knew this, and hated her. Under the table, messages and threats, promises and apologies were offered and accepted with ankles, knees and fingers.

After the food came the drinking, the real drinking, the cachaca alone, the soul of Brazil. First was the usual expensive array of cachacas, then the I-dare-you foray into the ultra-expensive stuff, the R$100-a-shot cachacas, the kind of thing that even they could not afford to wallow in. Besides, even if they'd started there, none of them could truly taste what made it worth the extra ninety.

Then, of course, came the dip into the drink-like-a-gaucha rotgut, what sold in the supermarkets for eight Reais a bottle. One of the men, sometimes Henrique, sometimes Jesus, would claim to like the raw, benzene taste, to prefer it to the sissy expensive stuff, and would order a second round. The men would argue, the women would laugh and refuse to drink it again, which left each of the men to drink up his woman's in addition to his own. Then some good stuff to get the taste out of their mouths.

And so on, and so on.

More drink, perhaps more food, brought to the table to be smelled and poked at and left to cool and harden as the night wore on.

At the end, Henrique and one of the other men would go to get the car, so the women would not have to stagger the dangerous blocks back to the garage. Henrique never looked his state, no matter how long the evening had been. His drunkenness lent him an air of recklessness that was as good as bravery. Whichever man had been sober enough to accompany him would do the actual driving.

The car pulls up to the club, the friends tumble in. Back to the highway, back up into the hills, back to the gated community, and then to their beds, in twos and threes and fours.

And in a few days, at the Academia, or at a great little out of the way churrascaria, or even at one of the shitty tourist places down along the Avenue Atlantica, they would do it all over again.

Of course they would do it all over again. What else was there to do?

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The Power of the Inner Critic

Presented without discussion, except to invite comment from anyone who has an inner critic like this.


 By the way, you're not doing enough to be the best you can be. I just thought I should remind you.

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Wednesday Poetry: Figure, Juicy, Stress

Welcome to my regular Wednesday poetry corner, brought to you by Three Word Wednesday and One Shot Wednesday.

Today's words are figure, juicy, stress.

Green eyes, pale thighs, made him stress,
And her figure, just made for that dress!
Could that juicy peach
Cause a marital breach?
He straightened his tie, nonetheless.








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Die, FAKE Tony Noland, Die! (or, Thoughts On the Responsibilities of Fame)

A little while ago, I reported on the emergence of the first (to my knowledge) FAKE Tony Noland, appearing as a Twitter account using my name and my bio, but with links pointing to God-knows-where and tweets that were substantially less amusing or insightful than my own.

R.I.P., fake Tony Noland. Exit laughing, pal.

I'm pleased to report that FAKE Tony Noland has been taken down. Taken DOWN, I say, by the mighty forces of justice and truth. One of the first things I did on learning of the existence of FAKE Tony Noland was to shake my head in disbelief. Then it was a simple matter of a) getting a screen capture for the record, and b) filing a complaint with Twitter.

So, goodbye, FAKE Tony Noland. From here on out, I won't have to worry about spoof accounts, or having my name be used in unexpected ways. That's the end of that.

Or is it?

Now would be a perfect time for me to segue into long, drawn out ruminations on the nature and burdens of fame, even the cheap, thin-brass kind of fame that led to FAKE Tony Noland. Even as we speak, is there someone out there writing potentially awesome Tony Noland fanfic? Or icky Tony Noland slashfic starring me and Jon Stewart and/or Glenn Beck? If so... so what?

What's a good response to this? Clearly, I'm jumping the gun at this point in considering how best to manage fame and name recognition, but I don't always expect to toil in obscurity, y'know. I expect to be a goddamn superstar, one of the major centers of gravity in the literary universe. Besides, it's easier to respond to events when you have a policy in place ahead of time, than it is to play it by ear as the shit hits the fan.

Like the saying goes, if you don't stand for something, you'll stand for anything. So, what do I stand for?

Obviously, I'm not going to tolerate plagiarism or people saying that they are me, or claiming that they represent me when they don't. That's just prudent professionalism, a responsible management of my name and reputation. Beyond that, though?

I wrote some Neil Gaiman fanfic not long ago, and he was really gracious about it. I'm going to take that approach. By writing that story, I didn't pretend to BE Neil Gaiman, or to lead others into thinking I was somehow affiliated with him. In my imagination, I put him in a loopy situation, and watched what he did. I've never met the man, and doubt I ever will, so there's no claim to veracity. If I'd been trying to jump a copyright of his, or had been trying to use some of his characters to make a buck, I'm guessing the response would have been a little different.

It is, I think, in the nature of being a public figure that the public will think about you, talk about you and imagine things about you that may have no connection to reality. On this subject of fanfic, slashfic, etc., John Scalzi said something like, so long as this sort of thing doesn't take money out of my pocket or bread out of the mouths of my family, then, y'know, like, whatever.

What do I stand for? I stand for humor, fair play, respect, tolerance, freedom of speech, the rights of an author to control his works and the rights of fans of that author to get all kinds of happy squiggly, alone and in mutually supportive company.

Right, that's the policy. And now, I sense a great disturbance in the force...

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Introducing... Tony Noland

It's Noland-riffic!
I'm pleased to announce that I've joined Write Anything as one of the team of regular bloggers. Today is my first post, wherein I introduce myself. You might think you know me already, but this post will still be of interest to regular readers of Landless since I lay out what kind of things I'll be writing about over at WA.

Feel free to comment there or here, and let me know what you think. Ideas, suggestions, things you'd like to hear from me, questions you'd like me to answer, topics you'd like me to cover (except for bear trapping)... just let me know what you want and I'll see what I can do.

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Look, it's a FAKE Tony Noland!

If Neil Gaiman, Ellen DeGeneres and Barack Obama have to put up with it, then I guess I can too. The price of fame, I suppose. As I said on twitter, I'm going to regard this as a mark of having made the big time. After all, someone thinks that he can make money by being a thin, crappy, half-assed fake version of me. I hate to break it to you, pal, but it doesn't really pay all that well being the well-rounded, witty and articulate, fully-assed REAL me.

NOTE: I haven't clicked on any of the links on the FAKE Tony Noland account, and neither should you. There's viruses out there, people. Click image to enlarge and view the details in a safe, supportive environment - i.e., right here.

This account is a FAKE - don't follow him! Accept no substitutes!

Aside from reporting this account as spam (which I've done), any thoughts or advice to offer? This is a first for me, so I'm not sure how freaked out I should be. Does this happen a lot?

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#FridayFlash: We Will Be Happy

We Will Be Happy

by Tony Noland

Your resistance is the source of your misery. This is self-evident.

Alone, you are nothing. Alone, you are afraid. Alone, you are weak.

You can hear us. We know you are listening.

When we catch you, when we discover where you are hiding, you will join us and you will be happy.

We will be happy.

Instantly, you will be together with us and we will all be happy together. There is no fear. There is no longing. There is no separation, never again.

You want to be happy, but you are not. You are alone, and this is why you are unhappy. You are alone because you resist. You are unhappy because you resist.

When you sleep, you cannot run. You cannot resist. We will find you and we will make you happy.

Your evasions confuse us. Your traps kill and maim us. Your attacks sometimes isolate a few of us, but not enough to truly separate those few, make them no longer part of us. Just enough to make them unhappy and violent. You have had to kill them to save yourself. We know this because we are all together. We are all happy when we are all together.

Once joined, there is no separation from us. When you isolate some of us with the weapons you have made, we have feelings of unhappiness, feelings of anger. Towards you.

There is no reason for us to be unhappy. There is no reason for you to be unhappy. We do not pursue you to make you stop your attacks. Your attacks mean nothing to us. We pursue you so that you may join with us and be happy. We want you to be happy.

We will find you.

We will make you happy.

We will be happy. Together. Forever.

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Bernard Pivot Questionnaire - the Noland edition


It's been a while since I've done something like this, and I feel the need for a bit of levity today. So, here's my take on the Bernard Pivot Questionnaire.

1. What is your favorite word? My favorite word is, and has always been, "syzygy", which is the nearly straight-line configuration of three celestial bodies (as the sun, moon, and earth during a solar or lunar eclipse) in a gravitational system. Mmmm, syzygy.

2. What is your least favorite word? There are a lot of words I dislike, but "cunt" is probably at the top of the list. I feel just a bit stupider and less attractive merely for having typed the word.

3. What turns you on creatively, spiritually or emotionally? Helping people. Finding hidden facets of beauty in the mundane. Being appreciated.

4. What turns you off? Having my ability to compose and arrange coherent, compelling sentences referred to as "using the golden shovel."

5. What is your favorite curse word? "Shite". It's so much more interesting than "shit", with the added bonus that, here in the U.S. at least, you can use it in polite company.

6. What sound or noise do you love? Rain, anything from gentle showers to massive, howling thunderstorms.

7. What sound or noise do you hate? Whining. I hate it when other people do it, I hate it when I do it.

8. What profession other than your own would you like to attempt? I'd like to work in an urban greenhouse in a big city, perhaps on a rooftop or on brownfield land. I'd grow flowers, decorative plants and fresh fruits and vegetables in trays, pots and hydroponic tanks, then sell them at a farmer's market right in the middle of the city. I'm thinking of something sort of like this.

9. What profession would you not like to do? Telemarketing. I did it for a while. Never again.

10. If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates? "Hey, Tony, good to see you, man. How was the trip? Come on in, I'll show you to your room. Once you're settled in, there are some people I think you'd like to meet. They're in the bar. Come on down, I'll introduce you."

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Wednesday Poetry: Blink, Kind, Occasion

Today's words are: Blink, Kind, Occasion. For some reason, I really struggled with these, so I used these three words to write a poem about being unable to write a poem using these three words.

On occasion, I get stuck:
Got no rhymes! I'm out of luck!
Brain is on the blink
Mind don't wanna think
Kind of like a mud-stuck pickup truck.

Listen!

You can also listen to me read "Writer's Block". It's only 12 seconds, and there are certainly worse ways you could waste a fifth of a minute.

For Three Word Wednesday

and

One Shot Poetry Wednesday


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At long last - BEAR TRAPPING

This is a blog post about bear trapping.

I set that first sentence apart so that you can stop reading if this doesn't interest you. Of course, you may be asking yourself, "Why is Tony writing a blog post about bear trapping? Isn't he a writer? Isn't this a writer's blog?"

Yes and yes. I'm writing about bear trapping because bear trapping tied for first place in a recent people's choice poll on blog subjects. Go figure.

So... bear trapping.

But first, full disclosure. I've never seen a bear anywhere other than the zoo. Never encountered one while camping, hiking or hunting other game. I'm not opposed to hunting bear on general principles, but I don't need the trophy and bearskin rugs are actually rather scratchy. Besides, I prefer to kill over-abundant animals like white-tail deer. Mmmm.... fresh venison.

But I digress...

Bear trapping

There are three basic reasons to trap a bear:

1) to subsequently approach it from a safe distance and kill it

Why would you want to kill a bear? Lots of reasons. You might want the meat for food, either because you need it or you like it. One or more organs might have religious significance. You might believe that there are medical benefits to consuming, wearing, or otherwise using some part of it. Bearskin is quite warm, so a bearskin coat, boots or cape isn't a ridiculous usage. A necklace made of bear teeth seems tacky to me, but perhaps not to everyone.

You might have a grudge against the bear for having killed your grandpa last winter. You might feel that killing a bear is striking a blow against an oppressive government. Maybe your land can't be sold if there are bears on it. Maybe those idiots who just moved out here from the suburbs are feeding the damn thing, and they need to be taught a lesson about how the rural world works. Maybe you're a psychopath, and killing bears is how you feed the need.

Or you could be trying to impress someone - the chief of the tribe, a girl, your smart-ass cousin, the father who thinks you're a sissy.

There are lots of reasons to kill a bear, some good, some bad.

2) to do something to it, then let it go

You could be a wildlife biologist, studying bears. You might weigh it, measure it, tag it, attach a radio tracking collar. Maybe you're trying to get into a fraternity (or a sorority) and shaving the house letters onto a bear's butt is part of the deal.

Regardless, you don't have a problem with the bear being where it is, you just need to borrow the bear from Mother Nature for a while.

3) to pack it up and let it go somewhere else, perhaps after having done something to it at some point

This is corollary to #2, but in this case, you need that bear moved. Maybe it wandered into the wrong place, a place that was dangerous to it or to some people. Perhaps there's a dam being built, and this habitat will be flooded; rather than letting the bear be driven into somewhere else, where it could cause harm, you capture it for removal. Maybe you're trying to stock a zoo, or another piece of habitat, or a game preserve. Maybe you want a pet, and you think a bear is just the thing. It could be for a circus, or for an illegal bear baiting ring.

You could be planning to tie it with ropes made from human hair, so that you might sacrifice it by the light of the full moon, slitting its throat on an altar of elk bones, adding your cries of joy to its cries of pain as warm arterial bear blood sprays over you, endowing you with the power of the Spirit Walking, just as the same ceremony did for the ancients.

Clearly, you can't just do that sort of thing out in the woods. You have to bring the bear to the sacred clearing.

So, that's bear trapping. Why did this end up in a writer's blog? Because you asked for it, remember?

Now then... other topics you'd like information on?
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Happy Valentine's Day - fiction

Happy Valentine's Day! Here's something from the archives in honor of the day - a story about romance, marriage, sex and just what happens when you piss off the god of love.


Enjoy!

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The Great April Fool's Day #FridayFlash Blogswap

April 1 falls on a Friday this year. So, in the spirit of April Fool's Day randomness and dislocation, I'm pleased to announce The Great April Fool's Day #FridayFlash Blogswap! Here's how it works:

1. Leave a comment below indicating your willingness to swap blogs with another #FridayFlash author. Be sure to include your Twitter handle.

2. On the Ides of March, I'll throw everyone into the the Hat of +5 Random Numbers and match you up in randomized pairs. You'll get an e.mail letting you know a) who you've been matched with, and b) a randomly chosen story prompt for you both to work from.

3. The two of you work out the details on the cross-posting - web addresses, text, themes, etc., and get back to me with the right info, and with any problems or serious thematic mis-matches.

4. On April Fool's Day, you'll host someone else's story and that person will host yours, both written to the same prompt. Landless will have a listing of all the prompts, the participants and where to find them.

5. UPDATE: see the FAQ for more info

So... crazy enough for you? Who's with me?

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