Controversial blog posts

Every now and then, I think I should do a blog post discussing the role of minority characters, closeted homosexual characters, and class-conscious/class-aspirational characters in my book, "Verbosity's Vengeance".

Then I remember that, because it's primarily a geeky superhero novel, I never should have put all that complex, multi-layered literary stuff in there in the first place. It was especially ill-advised to interweave it and rely on the reader to pick up on it, instead of simply bludgeoning the reader over the head with it.

So that blog post goes unwritten.

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#FridayFlash: Waiting for Inspiration

The therapist's pen stopped, mid-sentence. She looked up from her pad, her face set in a well-practiced expression of calm concern mixed with caring support and professional interest. It was an expression she'd worked on in front of a mirror.

"You've mentioned thoughts of suicide before," she said, "but this is the first time I've heard you say that you've already written a note."

"No," the patient said, "I guess I haven't really talked about it."

"And what can you tell me about the note?"

"Just that it's not good enough. Like everything else in my life, it's terrible. It's probably the worst suicide note anybody ever wrote. It's an embarrassment, really."

"I see."

"Honestly, that's the only thing that's kept me from throwing myself off the roof of my apartment building. I'm still revising it, trying to get it to sound right. I can't bear the thought that I'll finally work up the courage to kill myself, only to leave behind a trite, stupid-sounding suicide note."

"What I'm hearing is that you aren't satisfied with the note you've written. Is that right?"

The patient sighed. "It's not that I'm not satisfied with it. It's that it sucks. I want to write something that will MOVE people, that will really encapsulate the pain and black emptiness that consumes me. I want them all to understand just what a bitter joke my life has become, and why the world would be a better place without me."

"This is something you want 'people' to understand? Who, specifically? Who do you want to communicate this to?"

"I don't know. Everybody. Nobody."

"Do you feel that you're going to attempt suicide soon? When you leave here today, what do you see yourself doing?"

"Soon? Not likely. I can't get the damned words right. I just don't know what to do, doctor."

The therapist set down the pen and pad, then rose to move to her desk. She picked up the phone and started dialing.

"Here's what we're going to do. I don't want you to go home. I'm going to admit you to St. Anthony's for a couple of days of observation. There are some tests I want to run before we take a fresh look at your medication schedule."

"Can I bring my note? Work on it while I'm in the hospital?"

"I'd like to see it, yes. We can go over it together." She turned and spoke quietly into the phone, better at keeping urgency out of her expression than she was at keeping it out of her voice.

The patient lay on the couch, staring at the ceiling.

"You know," he said to himself, barely above a whisper, "maybe a writing retreat IS just what I need."

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You did something wrong

Comment Of The Day Award goes to Paul Anderson:
You did something wrong. Accept it. Learn from it. Grow up. Stop blaming everyone else for your screw ups. Part of being an adult is accepting your faults, owning them, and moving on. But the longer you spew insults at people, the less inclined they will be to forgive you.
Words to live by, people.

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Terribly tired

Terribly tired after a long, complicated, difficult day.

Terribly tired but don't want to go to bed, don't want to go to sleep.

Terribly tired means I don't want to interact with anyone, yet I don't really want to be alone, either.

Terribly tired is justification enough for a wandering blog post, but not enough fuel for Twitter or Facebook.

Terribly tired and wondering who I am, exactly, and why I never finished that one thing that was going really well and which lots of people liked.

Terribly tired so making this brief, and yet, perhaps, not nearly brief enough.

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Don't steal my work, Kiko

It's not really important how I came to discover that Kiko E. Coyona plagiarized one of my blog posts.

It's not really important that what he/she used my funny blog post for is to give his/her fanfiction about Sonic the Hedgehog (or some such thing) a literary boost that it wouldn't have if he/she had actually written it him/herself.

It's not even important that, just now, when I tried to copy and paste the offending passages in order to show how blatantly my 12 Things Successful Assassins Do Differently blog post was ripped off, I was thwarted by Fanfiction.net, which, apparently, does not allow copy and paste. I guess they're worried about plagiarists. (I put a screen capture of it down below, in the TL/DR part of this post.)

What's important is that the specific arrangement of these specific words belongs to me. It's mine. Sticking in a few clumsy dialogue tags doesn't change that. Maybe you never noticed the Copyright Notice that appears at the bottom of every page on this blog, Kiko, but let me repost it here:

Copyright Notice
I retain ownership and copyright on this blog and everything it contains, perpetually, on any and all media, and throughout this and every other universe. Feel free to link to this blog, but please get my permission to reproduce or make extensive quotations of the material you see here.

See that? I said "please". That's me being polite. I didn't have to do that. I could have said, "... or else I will use whatever eldritch magiks I can lay hands on so as to bind your plagiarist sins to your soul with bands of thorn and fire for the rest of all eternity."

I was polite. Please be so kind as to return the favor.

- Tony Noland

What's important, Kiko, is that you apparently fancy yourself something of a writer. Plagiarizing someone else's work makes you a writer in the same way that being a crack whore makes you a movie star.

I am angry with you, Kiko, but mostly I pity you. You've surrendered the chance to become an actual writer, preferring instead to sleep in the gutter of a bleak, dead-end street. There was a small sapling taking root in you, but you ripped it out and replaced it with a branch you broke off of my tree, the splintered end jammed artlessly into the thin soil of your fanfic.

Do you really think that makes you a writer, Kiko? Do you? For your sake, I hope not. It's no shortcut to leech off someone else's work that way. Learn from this experience, Kiko, and do your own work, or a long life of inchoate, unfulfilled bitterness awaits you.

Take down your post, apologize to me and your readers, go forth and sin no more.

Maybe you can be a writer, maybe you can't. But at least you will be able to hold your head high and know that, whether they earn you bruises or baubles, the words will be YOURS.

Here's the TL/DR (click the images to enlarge to readable size):

What I wrote on January 24, 2012...

... and what Kiko E. Coyona "wrote" on May 17, 2013.
UPDATE: Under pressure from me and my knife-edge crew (including @introvertedwife, @girl_onthego, @panderson1979, among others), the offending passages (i.e. my entire blog post) have been stripped out. This line was added to the bottom of the blog post:


So there you go. I would have preferred, "I'm sorry for stealing your work, Tony Noland" to an all-caps "FUCK YOU TONY NOLAND AND BLABLOVERS", but I'll take what I can get.

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My Almost-Winning #GrammarDay Haiku

The haiku I submitted for the #GrammarDay Haiku Contest finished in the Top 10! Go over and read the post with the winning entry, the runners-up, and the rest of the Top 10.

Behold the power of poetry!

Also, buy my book. Because if you like my poetry, you'll love the Grammarian! (Or you could get this book of stories for free. Your call.)

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Free book

Blood Picnic and other stories, my collection of flash fiction and short stories, is free this week at Smashwords. Just use the coupon code EL92F when you check out.


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The Bathroom Monologues: What Recharges Writing?

Since my well seems to have run dry, I'll point you to this piece by John Wiswell:



The Bathroom Monologues: What Recharges Writing?: I’ve been wondering a lot lately about how to recharge writing. There are some people who never seem to stop – Stephen King infamously ...



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Paging Dr. Liebster... Dr. Liebster, Line One

A few days ago, I was given the Liebster Award by Katherine Hajer, a gracious writer and crafty artist.
Those who are Liebstered thank their nominator (thanks, Katherine!), answer the questions posed to them, nominate more people, and pose their own questions.
My nominees are:

1. Michael Robinson, he of the Digital Scofflaw blog. Michael has a sense of humor similar to mine, which, although it must be a burden in daily life, it at least got him a Liebster Award.
2. Sabrina Zbasnik, she of the Introverted Wife blog. Sabrina writes about dwarves in space (among other things), which is a pretty cool mashup.

My questions for them:
  1. When did you start writing?
  2. Has anyone ever actually told you not to quit your day job?
  3. Is there a favorite food you eat that gives you inspiration to write?
  4. Microsoft Word: love it, hate it, or something else?
  5. Do you own an e.book reader, or use e.book software? If so, what kind? If not, do you see one in your future?
  6. You're given a book promotion opportunity to sit in a bookstore window and write. People passing by will be able to read your work as you produce it. Do you agree?
  7.  Is there a crowd/gang/posse/support group of writers you belong to, either in person or online?
  8. What's your minimum length for a novel?
  9. "Write drunk, edit sober." Is this good advice?
  10. Can you have a strong opinion about an author's personality, political views, social positions, etc., without having that color your opinion about the author's work?


My answers to Katherine's questions:
  1. Do you have one place you write in, several regular places, or are you a "writing nomad" (write where you can)? I write at different networked computers in various locations. However, I map out ideas with pen and paper all over the place, usually when I'm supposed to be paying attention to something else.
  2. What are your favourite writing tools (either physical or software)? Favorite software tools are yWriter5 and Dropbox. Favorite physical writing tool is my Parker 51 fountain pen.
  3. What is your biggest writing "win" from the last twelve months? That would have to be publishing my superhero novel, "Verbosity's Vengeance", which came out last September. It's a clear milestone in my writing career.
  4. Author and genre comparisons can be tricky, but what are some signs that a reader will like your books (ie: if they liked X book or like work by Y author, they should check out your books)? If you liked The Phantom Tollbooth, Tuesday Next or the Avengers, you'll like my book.
  5. The universe grants you power over all of writer-dom for one day. What's the one thing you make all writers stop (or start) doing? Stop being dismissive of people who have different tastes in literature. That, and stop picking on semicolons.
  6. Recognising that everyone on my nomination list writes in the science fiction/fantasy/horror end of the spectrum — how much time to you spend on planning and envisioning your setting relative to character development? Setting and plot are probably weighted 5X as much as character.
  7. Does your setting come first, your characters, or a combination of both? I'm much more likely to say, "Here's an interesting thing that can happen, let's put someone in there" than I am to say, "Here's an interesting person, what can I do with her?"
  8. How much research do you do when working on a story? I try not to get too bogged down in research during first drafts. You can spend hours nailing down details that you might need to change later.
  9. What are your favourite sources for setting inspiration? Probably movies, followed by real life. I've been fortunate enough to have done a fair bit of travel around the world, but that's nothing compared to the places the movies can take you.
  10. If you could spend time in one of your settings, which one would you pick and how long would you stay there? Setting: I'd love to go out on patrol with the Grammarian. Zooming down rain-slick streets on a meme-enhanced motorcycle, chasing the bad guys to a deserted warehouse and jumping straight into a life-and-death firefight with high-tech weaponry - how cool would THAT be? How long I'd stay: right up to the point of getting my ass kicked. Then I'd drop out and leave the superhero derring-do to the professionals.

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Marvel's magic touch

I never read the Guardians of the Galaxy comics. When I heard that Marvel Studios was making a GotG movie, it was a real head-scratcher. As an ensemble cast, GotG is WAY, WAY downmarket from the Avengers. I know an ensemble movie is different than a buddy movie, so you can't compare GotG with such potential pairings as (for example) Power Man & Iron Fist or Cloak & Dagger.

Even considering the fact that Marvel Studios doesn't have the rights to the marquee ensembles (X-Men & Fantastic Four), why GotG? Why not another minor ensemble like the Defenders? Or the West Coast Avengers?

But I have to say, Marvel seems to know what it's doing. When I watched the various trailers for Superman Broods and Mopes and for Batman Growls Again, I just didn't feel any particular drive to see the flicks, even though I know and (mostly) like the characters. Watching this trailer (which is such an obligatory backstory infodump it might as well be labeled Introducing The Guardians of the Galaxy), I still got a sense of place, of characters, of engagement, and of exciting fun.

Now, instead of wondering why Marvel is wasting its time on this minor-league team, I'm looking forward to seeing the flick. Well played, Marvel. Well played.



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What being apart looks like

It's kind of appropriate that my name falls entirely in the lanthanides & actinides. My superhero/science fiction/grammar humor book is like a postcard from The Island Of Misfit Writers ("Having a great time - wish you were here.").



Much like "Verbosity's Vengeance", I expect that this bit of wit will be regarded as remarkably clever by ~0.0001% of the English-speaking world, although perhaps a hundred times as many will understand it right away (i.e. ~0.01%).

It begs the question of why I insist on telling jokes that cater to the narrow, narrow demographic overlap of (knows the significance of lanthanides & actinides on the periodic table) with (appreciates sadly lyrical metaphors). A screening test to select members of my "tribe"? Intellectual snobbery? Simple self-congratulatory showing off of education and erudition? Needy preening?

Grammar jokes, chemistry jokes... not exactly what appeals to the mass market, are they?

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Writers write, talkers talk, bleeders bleed

On the one hand, there's this post by Gareth Powell, who draws a distinction between people who talk about writing, and who dream of being a writer, but who don't actually write anything. Writers write all the time; talkers just talk all the time.

On the other hand, there's this post from Emma Newman, who talks about the times of recharging necessary after periods of exceptionally high-volume outlays of energy. Output -- refractory period -- output -- refractory period -- output.

I've been burning the candle at both ends for months and months, dealing with lots of things that aren't related to writing. There are no breaks from it; as one thing winds down, another thing winds up to take its place. I'm expecting (hoping?) that things will settle down in a couple of months and writing can resume its place in a more balanced life. Another post tells me that this is irrelevant wimp talk. If I were serious about being a writer, I'd be writing anyway, chewing on the broken glass and stabbing myself with freshly sharpened pencils, forcing the blood to flow and ignoring the pain like a REAL man.

Er, a real writer.

I wonder sometimes if there is a gender-based perspective on the dichotomy of "Be self-aware and use self-care. It's a marathon, not a sprint." vs. "You're the one who wanted to be a writer! Shut up and take the pain!" If so, then I have to conclude that I'm actually a woman, which means I can stop shaving.



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The Three-Ring Binder of Doom

The novel I'm working on at the moment is a hardcopy in a three-ring binder. (n.b. The first version of the preceding sentence had the words "working on" in quotation marks, so as to more accurately reflect just how much work I'm getting done on it.)

I carry this binder from place to place in the same way Frodo carried the Ring of Doom. Like the Ring of Doom, it was pretty cool... at first. Invoking it, I would disappear, and the world around me became wild and magical. I could do things and go places I never could without it.

However, like the Ring of Doom, the longer I carry it, the more fraught with dangerous import it becomes. Lately, using it is terrifying. There are monsters abroad who want nothing more (and nothing else) than my destruction... or at least, that's the vision that's revealed to me when I invoke the Three-Ring Binder of Doom. Terror and horrors await within.

I carry this WIP with me, thinking about it, touching it, dreaming of it, but never, never actually working on it. I recoil from the thought of what nightmares the thing is made of, but I never let it out of my sight. I dare not use it, but I can't abandon it. It defines my existence, it's too important to me, it's too... precious.

My precious, precious novel. My preciousssss......

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Snow days

It's snowing heavily here, coming down at the rate of an inch an hour. It's thrown off the schedules of everyone, cancelling schools, closing businesses and (for me) postponing things I had planned for today. This unexpected disruption in my schedule prompts me to wonder about the writing that I'm not doing, that I've told myself I've put on hiatus for awhile. Yes, I'm focused on adjusting my life to my new job, but it feels like more than that. I'm feeling increasingly alienated from the writing life.

Was it really only last September that I published "Verbosity's Vengeance"? It feels like something done by someone else. Looking at the Amazon page for it, I try to recapture the anxiety over flat sales and plummeting sales ranks, but all I can come up with is tired sadness. It's hard to shake the feeling that the book exists only in my mind, an experience for me to learn from, not as a product to be promoted or purchased.

I pull out the first draft of my WIP and barely recognize it. It's page after page of turgid, fractured, meandering nonsense. The notes in the margins on how to fix it are mine; the handwriting is mine, so the notes must be, too. What's needed is a complete overhaul, not simple revisions. Where is the energy and enthusiasm for this work? Where is the joy? Is it still a work in progress if you don't want to do the work? And if the work seems to have no more point or purpose than shoveling water? What then?

It takes a lot of energy to be a writer, and even more to pretend to be a writer. As the snow falls and the cold settles over the world, I'm left to wonder if, having run out of that energy, I've also lost the ability (or the will) to recharge it.

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My current earworm

This has been running through my mind lately. Pretty hard to shake, so I'll share it with you.



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Everything falls apart

Since May of last year, I've been pulled hard in a half-dozen different directions. Something had to give, and Landless was it. I never declared an official hiatus, but blog posts have trickled down to nothing. I stopped writing limericks for Three Word Wednesday and I finally was forced to stop writing Friday Flash stories.

I'd guess that barely a dozen people noticed this change, and even fewer commented on it. That should tell me something about the significance of this space to other people. I'm still not sure what it says about the significance of this space to me.

Things are mostly unchanged with respect to the demands put on my time and attention. I'd hoped that this would have gotten better by now, but it hasn't. Maybe things will get better in a month or two, maybe not. In the meantime, blog posts like this will be like the irregular mugfuls of water guiltily poured onto half-dead, half-forgotten houseplants, kept alive more out of habit than out of love.


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More on the Hugo award

Yesterday, I noted that the science fiction novel I wrote and published last year is eligible to win the Hugo. There's really no need to note that being eligible to win the Hugo for Best Novel doesn't mean the book has any meaningful chance of winning, or even of being nominated, but I include the observation for those of you who might start to think I'd gone even more delusional than my everyday standard.

So if this is hopeless and I have zero chance (or, to be precise, an infinitesimally non-zero chance), why bother to mention it?

Because I wrote and published a pretty good, Hugo-eligible novel, and that's worth commemorating. I'd like to have more reviews, but those that I have gotten have been good. No one has trashed it, either because of the writing or because the concept of a hero with grammar-and punctuation-based superpowers is too goofy. Sales have been slow, but they too are non-zero.

There are plenty of times that despair rises up high when I look at how I've fallen short of what I want to achieve as a writer. It's useful to remind myself that I wrote and published a pretty good, Hugo-eligible novel, a milestone in this tortured, meandering journey I'm on.

And the next book will be even better.

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My Hugo-eligible novel

As it happens, this is the first year I have an eligible work available for nomination for the Hugo Award, in the "Best Novel" category. As the attentive reader will have no doubt already surmised, the book is "Verbosity's Vengeance", published in September 2013.

Anyone attending LONCON 3 (and therefore allowed to nominate) who feels that "Verbosity's Vengeance" is worth the attention, please feel free to throw it into the velociraptor pit. Instructions for nomination are here.

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Resolutions for 2014

As I said last year (i.e. yesterday), New Year's Resolutions are a good way to set specific, actionable goals. Nebulous goals like "get in shape" or "write more" are harder to work toward. Specific goals give you concrete benchmarks. Here are my resolutions for 2014:

1. Run a 5K. This will be part of a general effort to lose some weight, exercise more, and generally rage against the dying of the light that seems to be wrapping itself around my middle-aged body.

2. Publish my next book. This WIP is now at the completed first draft stage, so it will need to be revised (multiple times), polished, beta read, edited & formatted.

3. Write the first draft of Book #3. Part of it is already written, so I need to finish the first draft. Anything after that will be gravy.

Check back with me in 12 months to see how I did on these.

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